SHANA SIMMONS DANCE
  • Welcome
  • Upcoming
  • About SSD
    • PRESS >
      • VIDEO
      • IMAGES
    • OUR PEOPLE
  • JOB OPPORTUNITIES
  • Presenters
  • Contact
  • PROJECTS
    • IN/BEtween >
      • IN/BEtween Program
    • CONSTRUCTED SIGHT >
      • PRESS ABOUT CONSTRUCTED SIGHT
    • LIVING LANDSCAPES
    • ELEVATE: a triple bill of female choreographers
    • THE MISSING PEACE (2018) >
      • THE MISSING PEACE BLOG
      • The HOPE Series
    • OBJECTIVE I (2015)
    • PASSENGER (2014)
    • RELATIVE POSITIONS (2012)
    • COLLABORATIONS
    • CHOREOGRAPHY >
      • RED ROVER, RED ROVER
      • GROUNDED IN THE SOIL
      • OF ELEPHANTS AND ASSES
      • DANCING SOLO
      • QUIRKE
      • BITS... PIECES...
      • RESONANT PASSINGS
      • TEA PARTY
      • A-PART
      • WHAT IS YOUR...?
      • CRUNCH
  • DONATE
  • TEACHING
    • Creative Performance Workshop
  • Insights & Ink: A Blog
  • VIRTUAL DANCE EXCHANGE PROJECT
    • VDEP Symposium: Dialogue 1, Oct 5
    • VDEP SYMPOSIUM: DIALOGUE 2, OCT 26
    • VDEP SYMPOSIUM: DIALOGUE 3, NOV 16
    • FAQ'S
  • FUTURE BUILDING

THE MISSING PEACE

the blog

The Missing Peace Blog is a place to follow the creative process behind the development of The Missing Peace, a performance event. Each choreographer will post highlights from the rehearsal process, workshops, and volunteer opportunities.

Be a part of The Missing Peace.

Created by: Jamie Erin Murphy, Brady Sanders, Shana Simmons

Dynamic sculpture and What Remains

1/28/2018

1 Comment

 
By Brady Sanders
​
This week we began incorporating four dynamic sculptures into What Remains.  These unique aluminum structures represent a variety of concepts, changing and devolving throughout the piece.  They start as frames that house larger than life images of individuals impacted by Alzheimer's disease whose experiences are shared during What Remains via interviews and sound bites woven into the sound composition.  As the piece continues the images become distorted and finally disappear all together.  The sculptures are still in the process of being detailed and produced.  While there are a few quirks to figure out incorporating them into the piece has been very organic.  I think they add a valuable layer of identity, accessibility and story telling to What Remains. 
Picture
1 Comment
Iowa Gay link
3/23/2021 11:12:26 am

Thank you for taking the time to share this with us

Reply



Leave a Reply.

    Archives

    February 2018
    January 2018
    December 2017
    November 2017
    October 2017
    September 2017

    Categories

    All
    The Missing Peace

    RSS Feed

      RECEIVE UPDATES ABOUT THIS BLOG!

    SUBSCRIBE TO BLOG
    Picture

    TO PURCHASE TICKETS TO THE MISSING PEACE, CLICK BELOW:

    BUY TICKETS NOW
    Sell tickets online with Ticketleap

CONTACT US & JOIN THE SSD FAMILY!


Telephone

412-303-6406

Email

shanasimmonsdance@gmail.com
  • Welcome
  • Upcoming
  • About SSD
    • PRESS >
      • VIDEO
      • IMAGES
    • OUR PEOPLE
  • JOB OPPORTUNITIES
  • Presenters
  • Contact
  • PROJECTS
    • IN/BEtween >
      • IN/BEtween Program
    • CONSTRUCTED SIGHT >
      • PRESS ABOUT CONSTRUCTED SIGHT
    • LIVING LANDSCAPES
    • ELEVATE: a triple bill of female choreographers
    • THE MISSING PEACE (2018) >
      • THE MISSING PEACE BLOG
      • The HOPE Series
    • OBJECTIVE I (2015)
    • PASSENGER (2014)
    • RELATIVE POSITIONS (2012)
    • COLLABORATIONS
    • CHOREOGRAPHY >
      • RED ROVER, RED ROVER
      • GROUNDED IN THE SOIL
      • OF ELEPHANTS AND ASSES
      • DANCING SOLO
      • QUIRKE
      • BITS... PIECES...
      • RESONANT PASSINGS
      • TEA PARTY
      • A-PART
      • WHAT IS YOUR...?
      • CRUNCH
  • DONATE
  • TEACHING
    • Creative Performance Workshop
  • Insights & Ink: A Blog
  • VIRTUAL DANCE EXCHANGE PROJECT
    • VDEP Symposium: Dialogue 1, Oct 5
    • VDEP SYMPOSIUM: DIALOGUE 2, OCT 26
    • VDEP SYMPOSIUM: DIALOGUE 3, NOV 16
    • FAQ'S
  • FUTURE BUILDING